Samuel Keane / 0376236
Task 3: Type Play & Expression
JUMPLINKS
3. TASK
LECTURES
There are no lectures.
INSTRUCTIONS
TASK
Task 3: Type Play & Expression
- Create a font that is intended to solve a larger problem/ part of a solution in the area of your interest.
- Explore existing letterforms in an area of interest.
- Experimental design
We were also instructed to make a power point presentation for the proposal.
Type Digitization
I ultimately decided to settle with the second idea. Like usual, I did all of the digitalization process on Illustrator. Before starting, I did a little bit of experimentation. But, The gap between bricks are too wide, so I scrap this version and work on a new one.
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| Fig. 3.1, First attempt, Week 10 (23/06/2025) |
I started by making a "wall" of bricks as a base of the shape for the uppercase letters.
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| Fig. 3.2, Base, Week 10 (23/06/2025) |
From that, I shape all the capitalized letters from A-Z.
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| Fig. 3.3, Initial outcome, Week 10 (23/06/2025) |
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| Fig. 3.4, Revised, Week 10 (23/06/2025) |
The next thing to do is to make numbers and punctuations.
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| Fig. 3.5, Numbers and punctuations, Week 10 (24/06/2025) |
FontForge
After finishing all of the characters for the font, I used FontForge to make this font come to life. First I separate each characters on Illustrator into their separate artboards. The size is 1000x1000 to match the measurements in FontForge.
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| Fig. 3.6, Characters separated, Week 11 (04/07/2025) |
After separating the characters, I saved them as .svg files and open FontForge to continue the process. I named the font Brikin, taken from "Another Brick in The Wall".
I started by importing the characters one by one according to their names.
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| Fig. 3.7, FontForge, Week 11 (05/07/2025) |
The kerning process is quite easy since the characters I am dealing with are very blocky and all of them has similar dimensions. For the letters and numbers, I set all the bearings to 50
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Fig. 3.8, Alphabet kerning process, Week 11 (05/07/2025) |
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| Fig. 3.9, Punctuations kerning process, Week 11 (05/07/2025) |
I decided to stick with the main theme of the font (bricks), so I used colors that are associated with bricks. I first do all the layouts and composition on Adobe Illustrator.
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| Fig. 3.10, Illustration layout process, Week 12 (08/07/2025) |
The layouts then were moved into Photoshop to later add textures and coloring.
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| Fig. 3.11, Photoshop process, Week 12 (08/07/2025) |
Lastly, I export all of the files into jpeg and here are the results.
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| Fig. 3.12, Font presentation results, Week 12 (08/07/2025) |
Basically we were tasked to do the font application twice. One is for the purpose of the font, and one is for the competition hosted by HONOR. For the first application, I decided to make a typography edit for Pink Floyd's song "Another Brick in The Wall Pt. 2."
Music Video
On After Effects, I started with the first part by playing with the opacity and positions. Then I made it into a pre-composition and make as if there is a camera movement going on by zooming in and follow the appearing text.
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| Fig. 3.13, Editing process 1, Week 13 (15/07/2025) |
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| Fig. 3.14, Editing process 2, Week 13 (15/07/2025) |
I used a sticker animation for the "classroom" line by going to the Effects menu, Distort, and CC Page Turn.
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| Fig. 3.14, Editing process 3, Week 13 (15/07/2025) |
Next part of the song, I made a simple falling animation. The text stack to each other.
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Then, I made an animation where the text falling from outside of the screen, almost like a stamp effect.
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The last part is just text appearing, with a screen covering the entire frame in the end. Here is the result so far.
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| Fig. 3.17, Fontforge screengrab, Week 13 (16/07/2025) |
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Fig. 3.18, Font presentation, Week 13 (16/07/2025)
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FEEDBACKS
Week 10
General Feedbacks
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Specific Feedbacks
Try to focus more on working on the music video. Think of ways to make it interesting (letters forming into a wall, make the wall break, etc.).
Week 11
General Feedbacks
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Specific Feedbacks
Continue working on FontForge.
Week 12
General Feedbacks
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Specific Feedbacks
Mr. Vinod added, for unicase fonts, the lowercase should also be filled with uppercase letters.
Week 13
General Feedbacks
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Specific Feedbacks
I got a good job from Mr. Vinod.
REFLECTIONS
Experience
This is the final task for advanced typography. The process during creating the font itself is pretty enjoyable. Even the final font application is enjoyable, don't get me wrong, but I need quite some time to figure some of the features out. Well, I guess I am happy that I can finally finish the final project. I am still not used with working on After Effects, so I still need to learn more about its features.
Observation
I found out that geometric fonts are easier to make since it depends more on the raw shape instead of lines and strokes. I also realized that fonts that are made for reading is extremely difficult to make. They require very precise measurements so eyes wont get tired or strained easily when reading.
Findings
I learned a few new features on After Effects, such as the page turn effect and using 3D layers. It was fun.
FURTHER READING
Week 8 - Readi: A ‘Font’ To Teach Children To Write
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| Fig. 6.1, Readi, Week 8 (13/06/2025) |
This article documents the process of a font to teach children how to write. It is firstly initiated by Dr. Julia from Universiti Malaya Sarawak and developed with Mr. Vinod Nair. The font was custom, meaning that it was designed from scratch. Simplicity was put into consideration when building the font from the start, so the number of strokes on the characters are reduced.
The development process of Readi went through several revision and testing. Technical challenges such as spaces between characters, inconsistent thickness, and glitches on different platforms were taken care of immediately. After going through more than 25 pages of feedback, the font is ready to use on different platforms such as Word, InDesign, and PowerPoint.
Week 11 - The Fun in Function: A Typeface for Travel Agencies
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| Fig. 6.2, © Jokka typeface by Lizzie Tanaka, 2024, Week 11 (13/06/2025) |
This article shows the development of Jokka, a typeface designed by Lizzie Tanaka. It was first made to solve a problem of designing a font for their travel agency. She noticed that most travel agency designs, especially the ones aimed at older people, looked super plain and boring. She used to help out her parents with their travel agency stuff before uni and always felt like the fonts didn’t match the fun and excitement of traveling. Everything looked too serious. That's where the main idea came in, she wanted to design a playful font while still maintaining readability.







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